Laserfiche WebLink
S. Convertlna Non- Dialtal Materlals to Digital Format <br />1.1 List me types ana Tormats or materials to De aignizea ano ine quaniny or eacn type. <br />ng photographs, diaries, and other written materials will be scanned according to the needs and discoveries of <br />location. Each library site is expected to collect and digitize 500 -800 images for a total of between 2,000 -3,20C <br />mages. <br />B.2 List the equipment and software that you will use to digitize each of these formats or the name of the <br />digitization services provider who will perform the work. <br />Each of the four library sites will include 1- GADO 2 digitization robot with a Epson Perfection V750 Pro or Epson VS <br />5000 scanner for high resolution TIFF scans of at least 600 DPI. The Epson Scan version 3,9.20US will run through an <br />open source Project GADO scanning wizard that will use an IPVEO ā€” Ziggl HD webcam to take picture of the back of <br />each scanned Image. Material will be edited using Picasa software for alignment, cropping, and batch description. <br />The assembly, installation, and trouble shooting of the Project GADO robot will encourage the scanning of robust <br />materials during the initial implementation period. Once the machine Is fully operational, more sensitive photographic <br />material maybe scanned as well. <br />B.3 List the digital file formats (e.gā€ž TIFF, JPEG, MPEG) that you will produce during the digitization work and <br />the anticipated quality standards for each file format (e.g., resolution, bit - depth, color /grayscale, pixel <br />dimensions, sampling rate). <br />workflow process for the creation of digital photographs will include both TIFF and JPEG file formats for <br />servation and access purposes. The TIFF files will be used for long term preservation needs at a DPI of 600 with 24- <br />color and zero Color /BW compression. The JPEG files will be used to upload the images onto Historypin. These files <br />also be hi- resolution files of at least 600 DPI with a 24 bit -color standard. <br />are saving our audio files according to the recommendations of the ARSC standards found here: <br />: / /www.a rsc- audio. org /pdf /ARSCTC_prese rvation.pdf <br />In content gathered during the project will be saved at a 961<Hz sample rate with 24 bits per channel as an <br />B.4 If different digital versions of content will be created during the digitization process (e.g , preservation <br />master, access copy, thumbnail) list the type, format, and number of each version. <br />=- mories of Migration will work with each of the site partners to identify the best process by which at least 3 verslo <br />User Generated Content can be created and saved. The process is to include at least "Preservation Copy 1," <br />reservation Copy 2" (in a separate location), and an "Access Copy" (compressed file format). The project will work <br />th the participating partners to create and implement a step by step guide to be used in the final iteration of the <br />impklt" with the intent of permanent retention by each participating institution and the Internet Archive, <br />atographic preservation copies will be in the form of TIFF files while access copies will be converted toJPEGs. <br />dlo content will be saved as WAV file for preservation copies and as a To -Be- Determined file type for access copies. <br />2 IMI.S Digital Content Supplementary Information Form <br />